{"id":380,"date":"2013-07-31T16:26:31","date_gmt":"2013-07-31T14:26:31","guid":{"rendered":"http:\/\/artlabor.eyes2k.net\/?p=380"},"modified":"2020-03-18T13:17:01","modified_gmt":"2020-03-18T12:17:01","slug":"the-ideological-guide-to-the-venice-biennale-2013","status":"publish","type":"post","link":"https:\/\/artlabor.eyes2k.net\/?p=380","title":{"rendered":"The Ideological Guide to the Venice Biennale 2013"},"content":{"rendered":"<p>The Ideological Guide to the Venice Biennale consists of a free application for iPhone and Android&#8230;<\/p>\n<p>&#8230;that provides information on the political, economic, and ideological framework of all national pavilions of the 2013 Venice Biennale <a href=\"http:\/\/venicebiennale2013.ideologicalguide.com\/\">http:\/\/venicebiennale2013.ideologicalguide.com\/<\/a><\/p>\n<p><!--more--><\/p>\n<p>How has the organization of pavilions been decided upon?<br \/>\nWhy has a particular artist been selected or curator appointed?<br \/>\nHow and with what kind of money has the exhibition been funded and how do these choices relate to the current social and political situation in the country?<br \/>\nAnd how does the geographical position of the countries mirror traceable geopolitical alliances, past, current, and maybe even future?<\/p>\n<p>Articles on each pavilion written by artists, theoreticians, critics, and philosophers from all over the world<br \/>\n&#8230;accompanied by maps providing a new insight in the way underlying geographical politics respond to the different contextual and subterranean aspects of the Venice Biennale, its history, architecture, programming, board, funding, and so on.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Ideological Guide to the Venice Biennale consists of a free application for iPhone and Android&#8230; &#8230;that provides information on the political, economic, and ideological framework of all national pavilions of the 2013 Venice Biennale http:\/\/venicebiennale2013.ideologicalguide.com\/<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,4],"tags":[],"class_list":["post-380","post","type-post","status-publish","format-standard","hentry","category-artallgemein","category-artservice"],"_links":{"self":[{"href":"https:\/\/artlabor.eyes2k.net\/index.php?rest_route=\/wp\/v2\/posts\/380","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artlabor.eyes2k.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artlabor.eyes2k.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artlabor.eyes2k.net\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/artlabor.eyes2k.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=380"}],"version-history":[{"count":4,"href":"https:\/\/artlabor.eyes2k.net\/index.php?rest_route=\/wp\/v2\/posts\/380\/revisions"}],"predecessor-version":[{"id":3289,"href":"https:\/\/artlabor.eyes2k.net\/index.php?rest_route=\/wp\/v2\/posts\/380\/revisions\/3289"}],"wp:attachment":[{"href":"https:\/\/artlabor.eyes2k.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=380"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artlabor.eyes2k.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=380"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artlabor.eyes2k.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=380"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}